“The most effective of these is The Miller’s Dance (Farruca) from the ballet The Three-Cornered Hat. By judicious use of flamenco motifs, Falla makes the orchestra simulate the sound of a huge guitar; conversly, when played on the guitar the Farruca gives the impression by its many aspects of sound color of actually evoking the sound of and orchestra in miniature.” (J. Bream 1983)
Julian Bream