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Composer: Salvatore Lanzetti
Artists: L’Arte dell’Arco, Francesco Galligioni (cello), Roberto Loreggian (harpsichord)
A seminal moment in the birth of the cello as a solo instrument: historically informed performances of lively and athletic Baroque trio sonatas.
The series of Brilliant Classics recordings by L’Arte dell’Arco has garnered much admiring press over the years. Their discography has focused on the music of Vivaldi, usefully compiled last year into a 20CD set (BC95200) which was welcomed in Gramophone for ‘superb interpretations’ and the ‘scholarly rigour’ of the scholarship which underpinned the new editions used by the ensemble: ‘Guglielmo and his continuo trio play with lyrical sophistication in the Op.2 violin sonatas, and L’arte dell’Arco’s imaginatively detailed L’estro armonico has a conversational transparency, theatrical verve with rhythms and conjuring of kaleidoscopic moods that are as rewarding as any of the other best versions in the catalogue.’
With the music of Salvatore Lanzetti, the ensemble has turned its attention to rather more out-of-the-way pleasures. This is the most complete set yet assembled of his surviving works: born in Naples in 1710 he was known as the prince of the cello of his day, a celebrated soloist once he undertook extensive northern-European tours. By the second half of the 1730s he was in Paris and then London, where he seems to have lived until at least 1754. He had great success there and, according to the writer Charles Burney, helped to establish a taste for the cello.
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