Heitor Villa-Lobos (March 5, 1887 – November 17, 1959) was a Brazilian composer, described as “the single most significant creative figure in 20th-century Brazilian art music”. Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2000 works by his death in 1959. His music was influenced by both Brazilian folk music and by stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras (Brazilian Bachian-pieces). His Etudes for guitar (1929) were dedicated to Andrés Segovia, while his 5 Preludes (1940) were dedicated to Arminda Neves d’Almeida, a.k.a. “Mindinha.” Both are important works in the guitar repertory.
String Quartet No. 1, revised from the Suíte graciosa (1946)
1. “Cantilena” (Andante)
2. “Brincadeira” (Allegretto scherzando)
3. “Canto lírico” (Moderato)
4. Cançoneta (Andantino quasi allegretto)
5. “Melancolia” (Lento)
6. “Saltando como um Saci” (Allegro)
Cuarteto Latinoamericano (Mexico City)
Villa-Lobos composed his First Quartet in Nova Friburgo, Brazil in 1915, originally under the title Suíte de Quartetos de Corda: Suíte Graciosa and in just three movements: “Cantilena” (Andante), “Cançonetinha Grega” (Allegretto), and “Brinquedo”. This version, the manuscript of which is dated 5 March 1915, was given its first performance privately at the home of the Brazilian composer, pianist, and teacher Homero de Sá Barreto (1884–1924), on 3 December 1915. The score of this version, which was never given a public performance, is dedicated to the Quarteto de Friburgo, for whom it was written. In 1946, believing the original manuscript to have been lost, Villa-Lobos rewrote the score, adding three movements and retitling the work String Quartet No. 1. This version was performed in Rio de Janeiro for the first time by the Iacovino Quartet on 7 August 1946 (Peppercorn 1991, 32–33).