Just as there is rhythm in a painting, there is color in music, and New York Philharmonic bassist Satoshi Okamoto suggests approaching your intonation practice as a chance to select your color palette. Do you want blue, gray, white, or something else? Then apply the color to the pitch you choose. You may be the only one to notice the difference, but it certainly makes practicing more fun!
音程を色彩に例えながら、音程の練習をしてみては？ NYフィルの岡本哲史が、細かい音程を楽しく練習するアイディアを提言します。
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