Sviatoslav Richter: Beethoven – Sonata No. 27, Op.90

Sviatoslav Teofilovich Richter (Russian: Святосла́в Теофи́лович Ри́хтер, tr. Sviatosláv Teofílovich Ríkhter; IPA: [svʲjətɐsˈlaf tʲɪɐˈfʲiləvʲɪtɕ ˈrʲixtər], Ukrainian: Святосла́в Теофі́лович Рі́хтер; March 20 [O.S. March 7] 1915 – August 1, 1997) was a Soviet pianist known for the depth of his interpretations, virtuoso technique, and vast repertoire. He is considered one of the greatest pianists of the 20th century. As Richter once put it, “My repertory runs to around eighty different programs, not counting chamber works. His repertoire ranged from Handel and Bach to Szymanowski,Berg, Webern, Stravinsky, Bartók, Hindemith, Britten, and Gershwin. He gave the premiere of Prokofiev’s Sonata No. 7, which he learned in four days, and No. 9, which Prokofiev dedicated to Richter. Apart from his solo career, he also performedchamber music with partners such as Mstislav Rostropovich, Rudolf Barshai, David Oistrakh, Oleg Kagan, Yuri Bashmet, Natalia Gutman, Zoltán Kocsis, Elisabeth Leonskaja,Benjamin Britten and members of the Borodin Quartet. Richter also often accompanied singers such as Dietrich Fischer-Dieskau, Peter Schreier, Galina Pisarenko and his long-time companion Nina Dorliak. Richter also conducted the premiere of Prokofiev’s Symphony-Concerto for cello and orchestra. This was his sole appearance as a conductor. The soloist was Rostropovich, to whom the work was dedicated. Prokofiev also wrote his 1949 Cello Sonata in C for Rostropovich, and he and Richter premiered it in 1950. Richter himself was a passable cellist, and Rostropovich was a good pianist; at one concert in Moscow at which he accompanied Rostropovich on the piano, they exchanged instruments for part of the program. Richter explained his approach to performance as follows: “The interpreter is really an executant, carrying out the composer’s intentions to the letter. He doesn’t add anything that isn’t already in the work. If he is talented, he allows us to glimpse the truth of the work that is in itself a thing of genius and that is reflected in him. He shouldn’t dominate the music, but should dissolve into it.” Or, similarly: “I am not a complete idiot, but whether from weakness or laziness have no talent for thinking. I know only how to reflect: I am a mirror . . . Logic does not exist for me. I float on the waves of art and life and never really know how to distinguish what belongs to the one or the other or what is common to both. Life unfolds for me like a theatre presenting a sequence of somewhat unreal sentiments; while the things of art are real to me and go straight to my heart.” https://en.wikipedia.org/wiki/Sviatoslav_Richter

0:00 – 5:41 Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
5:41 – 12:17 Nicht zu geschwind und sehr singbar vorgetragen

A link to this wonderful artists personal website: http://www.allmusic.com/artist/sviatoslav-richter-mn0000818152/discography

Please Enjoy!

I send my kind and warm regards,

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